You may be well on your way to getting successful, or you may not have a clue about how best to mix. Irrespective of your status or ability level, you must always aim to find the finest DJ headphones for the price. Having clear sound on mind allows you to become better at your craft and at satisfying your crowd.
However, how do you go about choosing your headphones? — For starters, don’t assume that a”DJ headphones” tag is any indicator of amazing sound or build quality. Some highly considered headphones may not be especially made for DJs, but do not be shocked if they perform better than several purported DJ headphones.
Best DJ Headphones Buy in 2020
Check out some of my favorite headphones that a DJ can use these times without costing too much. Until you attain Deadmau5-level of fame and fortune, you may want to think about something more attainable.
Audio Technica ATH-M50X
These headphones aren’t the best for live gigs. But they are highly helpful for DJs. They’re studio-level cans which could help you blend your collection and prepare for a live show.
The tonal profile is a lot more balanced than what you would get from most dwell headphones, as is true with most other Audio-Technica headphones. The frequency response is prolonged on the low end. The noise isolation is also quite pleasant due to the size and design of the ear pads.
Clarity aside, the headphones are affordable and durable. The ear cups swivel 90 degrees, which means you can use multiple mix monitoring approaches. This might be quite useful if you’re a newcomer and not set in your manners yet.
The ATH-M50X can also deal with some live performances in case you’re deejaying on a strict budget. The noise cancellation is good enough to let you mix in tiny venues. Of course, you might not even want that if you are mixing with just one ear cup.
V-Moda Crossfade M-100
This pair of over-ear DJ cans can be a real asset to both amateurs and professionals alike. You’d be hard-pressed to find more value in a pair of DJ headphones than the M-100, especially if you’re shopping on a tight budget.
Although not visually stunning, the M-100 headphones are very comfortable and offer bass separation through a patented dual-diaphragm layout. However, the sound isolation can be somewhat situational, based on ear size.
Nevertheless, you may also appreciate the use of memory foam in the ear pads in addition to the overall construct durability that appears to define the streamlined V-Moda M-100. I must also point out that the durability extends into the cable, which features Kevlar cable for improved wear and tear resistance.
Sennheiser HD 25
The HD 25 professional DJ headphones are as plain as you’ll find a pair of Sennheiser. The headband isn’t precisely what you would expect and the degree of relaxation isn’t overly impressive. On the flip side, if you want to talk sound quality, then this is where it is at.
The bass dynamic is spot-on whether you would like to utilize these poor boys live or at the studio. The remaining part of the frequency spectrum is also rather good on account of the motorists’ high sensitivity aluminum voice coils.
As previously stated, they are not overly comfortable. But they’re very light and don’t exert too much pressure in your mind. The ear cups could be rotated so that you can do single-ear blending. The noise cancellation is adequate but nothing over the top.
What perhaps makes the Sennheiser HD 25 suitable for DJs performing live is the durability and flexibility. The auxiliary cable is removable, which isn’t seen on all headphones in this price range.
From the class of oldies but goodies emerge the Sony MDR7506 headphones. They are not especially designed for DJs. But due to the impeccable sound quality, why not use them for blending if you are not seeking to throw a lot of cash around?
The bass quality is above average. Perhaps not the best tonal profile for live gigs, but there is no denying the impact these headphones can have on your studio mixing sessions.
To get a set of plastic headphones, the MDR7506 is rather durable. They’re great for traveling, but not too much if you intend on listening to audio or mixing on the street. That’s mostly because of the very long 9.8ft cord.
Another reason why you should think about them for studio mixing rather than live gigs, even though the cable span is more tempting, is the below average padding. It causes the cans to apply more pressure in your head. This may create moving around while wearing them less than ideal.
Audio Technica ATH-PRO5XWH
The ATH-PRO5XWH is a pair of budget-friendly DJ cans that offer virtually unparalleled comfort for those long mixing sessions. The extra-plush ear pads remove nearly all ear strain and extend passive noise cancellation, even for people with big ears.
With that in mind, these cans are also lightweight, which will help to decrease head pressure too, along with the thick and durable padding on the headband.
The cans are quite potent and resilient, with a maximum power handling of 1,500mW. They are capable of delivering distortion-free music even at the highest volume levels and when listening to bass-heavy tunes.
A pair of ATH-PRO5XWH headphones won’t just help you attain excellent clarity but also lots of freedom due to the detachable cables. They offer a good mix of affordability, comfort, and bass reproduction, precisely what the majority of DJs are looking for.
Status Audio CB-1
If you’re trying to find a more budget-friendly set of mixing headphones, then Status Audio has you covered with the CB-1 closed back headphones. They’re great as entry-level headphones but might also be convenient as spare headphones for professional DJs.
Flexibility is the name of this game . The CB-1 cans feature removable wires, both coiled and straight, in addition to a folding design. Easy to transport, simple to store.
Because they are so cheap, you shouldn’t expect amazing profile. The sound is quite neutral and it does not emphasize low-end frequencies too much. But you can compensate for that with your mixing.
The ear pads are very gentle on the ears and they’re also compact enough to prevent head pressure during long mixing sessions. If you love playing instruments too, the passive noise isolation that comes from the over-ear closed back design is quite great for this budget.
The durability is quite good too. Although the headphones appear simple, the substances used and how everything is put together are over average.
These headphones do not come cheap if you’re only starting out your trip to mixing. However, if you’re willing to splurge somewhat, you’re going to be hitting the ground running. The HDJ-X7 headphones are a few of the most durable to come from Pioneer.
They’re also as comfy as they are rugged. The ear cups swivel and rotate so which you may combine in whichever way you want. Even though the headphones look and feel as if built for marathon sessions, the sound isolation is a noticeable drawback.
As for the noise, there is a strong emphasis on high and low frequencies. This should help you prepare your finest combinations yet and follow solid live performances. Don’t be worried about the tonal profile being overly bland either. There’s enough clarity to hear the midrange in any bass-heavy mixes.
In comparison to most competitor versions, these cans appear to tick all the boxes. The sound quality alone makes them worth the asking price. If only Pioneer would’ve shown the same attention to detail as it pertains to canceling out outside background noises.
That being said, if you are the kind of DJ that really does one-ear mixing, this should not be a issue.
Beyerdynamic DT 770 Pro
With a standard 9.8feet cable and moderate to high impedance, the DT 770 Pro cans are frequently the ones to conquer. They have amazing studio functionality but are not too shabby either if you are considering them for live gigs.
The low-frequency response is quite good without overshadowing the other frequencies. The general tone is very crisp and beneficial for a broad array of mixes. As the others might point out, these headphones are a lot more balanced than they are given credit for.
If it comes to relaxation, I would also recommend the DT 770 Pro to nearly anybody. Even though the headphones have a slightly higher price , you get what you pay for and then some. The velour pads ensure a good deal of comfort and the easy replacement mechanism makes things much better.
The robust headband has high excellent memory foam padding, which takes off the pressure off your head even for marathon sessions. What is interesting is that the ear cups do not swivel. All these are made as professional cans for serious recording and observation. Like I mentioned before, it does not mean you can’t use them as DJ headphones.
Right off the bat, you will notice that the very low frequency response from the LyxPro HAS-30 is through the roof, so you can cross that off the list. If you’re also searching for versatility and swiveling ear cups, you’ll really love the LyxPro’s 180-degree rotatable ear cups.
Maybe you want some design too? The leather-padded headband looks slick and professional. Talking of playing gigs, at this minimal cost, it is impressive how streamlined the HAS-30 cans are.
I was pleasantly surprised to see not just a compact construct but also a foldable design. If a carry bag or case was also included. The noise isolation is good enough for playing little to darkened places, but only as long as you’re not a fan of performing single-ear mixing.
The cans feature two removable cables, one coiled and one directly, and durable connectors. The tonal profile has a bass accent instead of so much high and mid definition. This may be an issue occasionally, particularly for inexperienced DJs who have not mastered blending.
But, there’s one issue the HAS-30 headphones have, and that is durability. The plastic isn’t as rugged as I had expected. There are certainly more durable models in this price range, perhaps not using the exact same sound clarity.
Behringer’s track record of making audio gear isn’t the very best or the worst. The company has a long-standing tradition of offering non invasive and mid-priced products which cater to a lot of genres, personal styles, and occupations.
It’s no surprise that one of the most common entry-level set of DJ headphones comes in Behringer. I especially enjoy the HPX2000 headphones only based on how far you get for very little cash. The plan can be wicked and very professional as the combination of black and silver looks amazing.
Setting aside aesthetics, let’s discuss sound clarity. Although these are tagged high-definition headphones, they’re a bit lacking in that section.
On the other hand, the definition total is not ideal. You want that extra crispiness if you are going to do live.
Be as it may, these are still DJ cans even though they do not seem very dynamic, or the ability to go from very soft to very loud and back. What they lack in terms of live performance they make up for in studio performance. The sound isolation is great enough and the level of comfort is very nice.
Looking to mix in the comfort of your studio for hours? — No issue. You’re not likely to be able to use one-ear mixing though, as the cans don’t have swiveling ear cups along with a elastic headband. All things considered, the cost is completely unbeatable.
Low Frequency Requirements
Some will state that punchy bass is essential for mixing. It matters even more when you are doing live. Although some degrees of detail will also be required in the high end of the spectrum, it’s the very low frequency response that is the bread and butter for many DJs.
And, in regards to this issue, there is no room for personal taste. If you’ve got a fantastic ear then accurate frequency response is non-debatable. Some cans are miles better than others so you shouldn’t skimp if you would like to be professional or do this for a living.
But is that all there is to picking a set of best DJ headphones?